No Wind of Blame (by Georgette Heyer)

I started acquiring Georgette Heyer’s historical romance books about forty years ago, and have re-read most of them several times. But it was only around twelve years ago when I realised that she had also written some light crime fiction set in the early and middle of the 20th century, somewhat in the Agatha Christie style. I have gradually acquired eleven of them at charity shops. About eight months ago, I discovered that there was just one missing from my collection, ‘No Wind of Blame’, so ordered it from Amazon’s second-hand marketplace.

The book has sat on my to-read shelf since then, but I picked it up a week or so back, and have been reading it at odd moments. Unlike most of Christie’s novels, the crime doesn’t actually take place until about a third of the way through; several chapters are taken up with establishing the people and their personalities. Heyer was very good at creating believable characters, and has quite a cast here, set in a rural area with the mansion known as Palings at the centre.

Ermyntrude is a wealthy lady, rather larger than life in every respect, married to the easily-led (and appropriately-named) Wally. The main viewpoint character is Wally’s cousin and ward, Mary; she’s a sensible, kind-hearted young woman who manages to be polite and caring to even the most foolish of people. Ermyntrude’s daughter Vicky is a little younger than Mary, and likes to play different dramatic roles…

The story opens as this rather unusual family are preparing to welcome a Georgian Prince as a house guest. Ermyntrude, who is not generally recognised by the upper classes, has used him as the bait for a dinner party which she is about to hold.

If this were an Agatha Christie, someone at the dinner party would no doubt be found lifeless at some point, but this book doesn’t follow that formula. Instead we see various characters relating to each other, giving insights into their personalities, and also some low-key ironical humour. I was not very impressed with one couple who have developed pseudo-evangelical ‘God-following’ zeal, and are generally considered annoying by everyone else; they feel fake and out of place, and indeed seem to vanish from the cast list as the book progresses.

However, in the young man Hugh (a barrister), the doctor Maurice Chester, and the irritating Harold White, among others, Heyer created memorable and interesting people whom I had no trouble telling apart. Vicky’s histrionics provide some light diversion; Vicky, on the whole, is a likeable person so the inevitable teasing is mostly in good taste.

Inspector Hemmingway, who features in other Heyer crime fiction novels, appears in this book once crime has happened and has bewildered the local constabulary. He’s always good value, with a dry sense of the ridiculous, and plenty of humility about his abilities.

The plot, too, is nicely done. There aren’t as many red herrings and other false trails as Agatha Christie generally employed, but Heyer manages to make almost all the characters seem potentially guilty, with motivation of some kind. When alibis prove false, I had worked out in advance that something dubious was going on… all but that of the eventually discovered perpetrator.

The eventual unravelling of the criminal deed is a tad more complex than I liked. The method is not something I could possibly have guessed, although there are some subtle clues, most of which I failed to notice. Character-wise, however, the ending is, in my view, entirely satisfactory.

‘No Wind of Blame’ was published in 1939, and written as a contemporary novel for that era. It went out of print for a while, but in recent years Heyer’s crime fiction novels, as well as her historical ones, have been re-printed regularly and can often be found second-hand.

Recommended if you enjoy light crime fiction set in the years between the world wars.  Don't, however, read the blurb on the back since - at least in my edition - it gives far too many spoilers.

Review by copyright 2018 Sue's Book Reviews


The Importance of Being Foolish (by Brennan Manning)

It’s many years now since I first read Brennan Manning’s classic book on grace, ‘The Ragamuffin Gospel’. I liked it so much I put some of the author’s other books on my wishlist, and found them all inspiring, encouraging and thought-provoking in different ways. In recent years I’ve started re-reading some of my favourite authors’ books, and decided - some time ago - to pick up ‘The Importance of Being Foolish’, a book which I first read in 2007.

The subtitle of this book is, ‘How to think like Jesus’, which is a tall order for any writer. However, Manning attempts to do that by first deconstructing some the ways we tend to live our lives. In the second part of the book, he then by focuses on different aspects of Jesus’ life, based on some important gospel passages.

The first section looks at the three topics of truth, transparency and diversions. The chapter about truth is not just about speaking the truth, but about being honest with ourselves. This includes our motivations, our expectations, and our acknowledgement of what we have done wrong. There is no place, the author contends, for trying to look good in other people’s eyes, or of hiding parts of who we are when seeking help.

He gives examples from secular life (such as in rehabilitation groups) of the vital need for total honesty. Sadly it’s all too lacking in parts of the church today. We say glibly that we’re fine, and everything is okay, and somehow it’s not acceptable to acknowledge that we feel awful, lacking in faith. Yet until we are open, truthful in every way with ourselves, with God and with other people, there can be no real relationship.

Similarly in the next chapter he gives examples, as well as Scriptural basis, for the need for transparency. By this he means an open window reflecting God’s love. In the third chapter he looks at what tends to consume most of us most of the time: the need for security, pleasure and power. We don’t all chase after all these things in equal measures, but to some degree the majority of us spend much of our time following these diversions, which often lead us away from God.

These three chapters are lengthy and challenging, and constitute the first half of the book. The second half has rather shorter chapters, each one looking at - for example - the work of the Kingdom, or what it means to have a true heart of forgiveness. In each, he demonstrates how Jesus was free of the 'diversions' described earlier.

It took me almost two months to finish reading this book. This is partly because I was away for a couple of weeks and didn't take it with me, but mainly because there was much to think about. I found it quite difficult to concentrate on more than a few pages at once. The writing isn’t heavy, or even difficult to read, but is so full of ideas and challenges that I found it quite tiring. Some days I re-read a page I had read the day before, and found new insights; sometimes I could not remember having read some of it previously at all.

This is a book for those who take faith in God seriously, who would like to follow Jesus more nearly. Not everyone will agree with everything in the book, but there’s a great deal to ponder, and I would recommend it highly.

Review by copyright 2018 Sue's Book Reviews


City of Friends (by Joanna Trollope)

I’ve liked most of Joanna Trollope’s books over the years, and thought I’d acquired and read all of them. But browsing Amazon a year or so ago, I realised I was lacking ‘City of Friends’. I was going to put it on my wishlist, but oddly enough it wasn’t in print, despite being quite a recent publication. However, I was going to the UK for a couple of weeks, so ordered an inexpensive copy, along with a couple of other books, from the Marketplace.

It’s taken me a while to pick the book up, but I’ve finally read it over the past few days. The story is about four women who have been close friends since university days. The novel switches viewpoint each chapter, focussing on them in turn, over the course of a few months. They all have problems, some of which are resolved during the book.

We first meet Stacey, as she is being made redundant from the prestigious company she has worked for over many years. She had hoped to work more flexible hours, as she and her husband are about to have her elderly mother, a victim of dementia, to live with them. She is devastated and also bewildered, and refuses to get in touch with her friends for some time.

Melissa is a single mother with a sixteen-year-old son, Tom. They’re quite close, and she works in an advisory role to big companies. Then Tom admits that he’s been in touch with his father - who is married to someone else - and wants to meet his half-brothers.

Gaby is small but determined, and is a managing director of a large company. Her husband runs some successful shops, and they have three children: two teenage daughters and a son of about ten. They’re going through the normal stresses of having teenage hormones in the house, and Gaby has a secret which means that she has to be very careful who she employs.

Beth is the most academic of the four; she has written books and gives lectures. She’s gay, and lives with a younger woman called Claire. They’ve bought and done up a lovely house, but when we meet them, they’re quite tense with each other, and clearly have different priorities.

It took me a little while to remember who was whom; I never quite kept track of their parents, who were mostly shadowy figures, other than Stacey’s mother. Some of the business language went over my head, too, and I didn’t particularly enjoy the rather obviously feminist agenda, and the insistence - by more than one character - that work is more important than family, that work keeps people going, that it’s more important to have a paid job than almost anything.

However, I liked most of the people; Joanna Trollope created interesting and three-dimensional characters in these four women, and I very much liked the teenage Tom, too, although I wasn’t entirely sure I believed in him. I thought it interesting that Stacey’s husband Steve is one of the nicest people in the book and Quin, too, is an excellent husband and also a good father. In trying to push women’s rights, the author doesn’t make the mistake of turning men into unpleasant characters.

The story is a bit complex in places, and I found that if I read just a chapter or two at night and then put it down for 24 hours, I would lose some of the threads and have to backtrack. But when I read it in larger chunks, it was an interesting insight into people’s lives, on the whole. I’m not sure I’d want to read it again, but if you like this author’s books, it’s worth acquiring and reading at least once.

Review by copyright 2018 Sue's Book Reviews


All Change at Cuckly Place (by Noel Streatfeild)

Having finally acquired and read Noel Streatfeild’s short novel ‘Meet the Maitlands’ just over four years ago, I looked out for its sequel, ‘The Maitlands: All Change at Cuckly Place’ at second-hand bookshops online. Neither book is in print, despite many of this author’s children’s books having been republished many times.

I finally managed to track down a reasonably priced edition a few months ago. To my surprise, like the first book, it’s a hardback with a dust cover in almost perfect condition. When I realised I had almost entirely forgotten the characters and plot of ‘Meet the Maitlands’, I re-read it yesterday, then finally picked up ‘All Change at Cuckly Place’ last night. It’s not a long read, and I finished it today.

This is the last book Streatfeild published; she was 84 at the time of writing, and was evidently attempting something a little different with this pair of books. They’re set at the turn of the 20th century; this one starts about five years after the first book ends. The twins Selina and John are sixteen. John is reasonably happy at his boarding school, and Selina has been educated at home, with her siblings, by their governess Laura Dinage.

The first major event in the book is that their rather shadowy grandfather, The Squire, dies. His house, known as The Place, is inherited by his oldest son Tom, who comes to live there with his family. His next brother, Timothy, also returns to the UK with his wife and three young daughters and they also come to live at The Place. Miss Dinage is hoping to leave to get married to a local farmer. But there are now nine Maitland children to be taught at home, so she’s persuaded to keep teaching them after getting married.

There are too many characters in this book for any of them to stand out; John is still sensitive, but is mostly away at school. Selina is almost grown up, and her younger brothers play very little part. Chloe, Selina’s sister (who is about thirteen) is keen on dancing; this is typical for a Noel Streatfeild book, but as her father is a rector, any dancing other than social ballroom dancing is rather frowned upon. There are some quite dramatic scenes related to this, although no real resolution.

Running alongside the Maitlands’ day-to-day lives as they settle in together is the story of Violet, the bright girl from a working-class background who went on to grammar school. She’s now an adult and involved in the Suffragette movement in London. The attitudes of the era are shown in various ways, with several of the women being quite keen for women to get the vote, and more of a place in society. It’s a book for older children so while violence and imprisonment are mentioned, there are no details.

Streatfeild’s books often end somewhat abruptly, with a sudden resolution and brief ending tying things up in the last chapter. This book ends during a family holiday in July 1914…. I’m not good with dates, but even I was aware that this is the month when World War I was declared. And then after a final comment implying great stress and pain for John and Selina, the book ends.

I assume the author was intending to write a further book about the Maitlands, but never managed it; she died a few years later after suffering from a series of strokes. So the fate of the Maitlands is left open.

Overall, I found it disappointing. All the characters, other than Laura Dinage, seem rather flat, and there’s no real storyline at all. However it's a quick read. As a piece of social history, I think it’s worth reading by anyone (child or adult) interested in life in the UK in the early 1900s.

Review by copyright 2018 Sue's Book Reviews


Meet the Maitlands (by Noel Streatfeild)

Noel Streatfeild was one of my favourite authors as a child, and through my teenage years - and I still return to her books, from time to time, for comfort reading. She’s best known for her classic ‘Ballet Shoes’, and many of her novels have been reprinted in recent years. Others are harder to find. A few years ago I managed to buy a copy of ‘Meet the Maitlands’, a book I had not previously read.

More recently I was able to find its sequel, but when I was about to pick it up I realised I had no recollection of the characters or storyline in ‘Meet the Maitlands’, even though it was only a little over four years since I read it. So I have just re-read it.

It was first published in 1978, and - unusually for Streatfeild - written as a historical novel set around the turn of the 20th century. The main protagonists are a family of five children who live in a rectory; their mother is an invalid, and their father, though pleasant enough, doesn’t much get involved with his children. The twins Selina and John are the oldest at ten. Selina is responsible and organised, and also quite academic. John is much more introspective and sensitive, and one thread running throughout the book is his terror of being sent to boarding school.

Chloe is seven, and there are two younger boys in the family, but they don’t play very much part in the book. The other main character is Violet, a fourteen-year-old girl from the village, who is desperate to get a grammar school education. Her parents don’t believe in education for girls beyond the primary level, so she’s been ‘in service’ working in the sick-room of a school for a couple of years. Then she finds out that the Rector and his wife are looking for a governess, so she fakes a reference and lies about her age… and, unlikely though it seems, is engaged.

There’s not a great deal of plot, and it’s not a long book, but Streatfeild had quite a gift of characterisation, and I quickly grew very fond of Selina and John. Violet is precocious and determined, and I liked her spirit. The point is made clearly that girls in this era were looking beyond traditional marriages or ‘service’, and could be quite as intelligent as boys; moreover not every middle-class boy was suited to the rigours of boarding school at ten.

The differences between the professional and village people become apparent too; as a piece of social history for older children and teens, I think this works extremely well. The author was born in 1895 so although she wrote the book much later, the attitudes and ways of speaking probably reflected those of her memory. It’s rather different from her usual stories of brilliantly gifted creative children, set in the 1960s and 70s.

The ending is rather abrupt, as is common with Streatfeild’s books; but as it’s character-based rather than having a strong plot, it doesn’t really matter.

All in all, I enjoyed it and look forward to reading the sequel.

Not in print, but can sometimes be found reasonably inexpensively second-hand.

Review by copyright 2018 Sue's Book Reviews


The Year of Taking Chances (by Lucy Diamond)

It’s nearly three years since I first read one of Lucy Diamond’s books, after a recommendation from Amazon. I liked it sufficiently to add a couple more of her books to my wishlist… and enjoyed them too. Gradually I’ve acquired more, and was delighted to be given ‘The Year of Taking Chances’ last Christmas. I have quite a lengthy to-be-read shelf, and I intersperse old favourites with new books, so it’s taken me a few months to reach it.

This book takes place over the first six months or so of a year, following the lives of three women who meet almost by chance at a New Year’s Eve party. Gemma is the hostess; she’s happily married to Spencer, and they have two children: Will is thirteen, Darcy nine. They’ve recently bought a lovely house which somewhat stretched their finances, and it’s ideal for entertaining. Will is becoming a tad hormonal, and Darcy’s a typical bright pre-teen, but basically they’re contented together, with Gemma a full-time homemaker and mother.

The other two women are Caitlin and Saffron. I kept having to backtrack to remember which was which as I could not distinguish them in my mind. One of them (I think Caitlin) has moved to the area following the death of her mother, and the break-up of a relationship. The other (probably Saffron) has rented the house next-door to Gemma’s while she thinks over something unexpected that has happened, that affects another relationship. One of them works for a PR company and the other is a web designer… but the two seem to have very similar personalities.

These three women open fortune cookies and decide that this new year is a time for branching out and taking chances. Gemma has no idea that her family situation is about to take a potentially tragic downturn in a few weeks (although the prologue has warned us of a pending disaster). Caitlin is about to discover something that will shock her deeply. And Saffron has to deal not only with her recent discovery, but with an over-demanding client and an increasingly suspicious boss.

The book switches viewpoint each chapter, giving insights into each of their lives, leading up to the inevitable point when they meet in other circumstances and find themselves increasingly drawn together. I found it hard to keep track of their various family members and friends, most of whom seemed either shadowy or caricatured. I liked Gemma’s father, however, and was quite fond of her children, too. I could identify most with Gemma, and thought her a believable, three dimensional person, even if her change in circumstances, later in the book, happens with startling rapidity.

That sounds a bit negative, but overall I liked this book very much. There are some serious issues touched upon including forms of depression, infertility, possibly dangerous pregnancy tests, and how to deal with feeling that one’s life has been built on a lie. There’s a tad more bad language than I’m comfortable with, but thankfully Lucy Diamond avoids descriptions of intimate scenes.

Overall, notwithstanding the sometimes complex problems encountered, it’s a light read, written somewhat informally. It has a satisfying ending that ties up most of the threads in positive ways, if perhaps a little too neatly, and I found it enjoyable and encouraging.

Recommended, if you like relationship-based modern women’s fiction.

Review by copyright 2018 Sue's Book Reviews


The Shadow Doctor (by Adrian Plass)

Adrian Plass is my favourite contemporary British Christian writer. I’ve loved his work ever since reading ‘The Sacred Diary of Adrian Plass aged 37 ¾’ back in the 1980s, and have acquired all his books over the years, usually within a year or so of publication. He uses a lot of humour, but also writes in a poignant, honest and often very thought-provoking way.

When I saw that he had a new book out last year, ‘The Shadow Doctor’, I realised from the cover and blurb that it was one of Plass’s more serious offerings. I waited until it was out in paperback, then put it on my wishlist and was delighted to be given it for my recent birthday.

There’s a brief prologue to the book, involving someone in quite a distressed state, full of fear… I felt quite tense after reading it, so was relieved that the first chapter, following immediately afterwards, is rather more prosaic. We don’t learn what the prologue was about, or even who is involved in the scene, until much later.

Jack is the main character of the book and we see events unfolding through his eyes. We meet him first wandering round a cathedral, and learn that his father inspired him to love the warmth and antiquity of British cathedrals. Jack is miserable about something, and in lighting a candle he’s evidently doing something contrary to his usual practice.

A lengthy letter from his grandmother follows, letting Jack know some things about her which she had never told him. She also invites him to get in touch with someone whose card she encloses in the letter… and, eventually, this leads to Jack getting to know an older man calling himself The Shadow Doctor.

There’s a lot of dialogue in the book, some of it perhaps a tad lengthy or forced. But Adrian Plass always tells a good story and I found myself growing quite fond of Jack. He’s a bit confused about life in general, but likes to listen to friends’ problems and help them out, as far as he can. The Shadow Doctor leads him down paths he had never considered, inviting him to think about difficult questions, and not to hide behind platitudes or half-truths.

It’s not a fast-action book, it’s not particularly great on characterisation (the Shadow Doctor remains a tad shadowy throughout, and other characters only have brief roles). There’s no humour as such, although there are a few light-hearted moments to contrast with some very serious and important conversations. I wasn’t sure what to think at first; it took me a few chapters to get into the story.

But by the time I was half-way through, I could barely put it down. I wanted to know what was going on, and to find some answers to Jack’s questions. In that sense, the conclusion was not entirely satisfactory. Some questions are answered, but several threads are left wide open. I don’t know if this is because there’s going to be a sequel, or if it’s meant to reflect the way that life leaves many questions unanswered.

There’s a lot in the book that’s cynical about how modern Christians appear, and the pat answers that are all too easy to give. There are discussions - about whether or not God exists, for instance - that might make some believers shudder and cry ‘heresy’.

There is a strong nod to Narnia, and many oblique references to the Bible, in particular the life of Jesus. It’s primarily a book for those who have a Christian background of some kind, but could be read by anyone interested in problem-solving and bridge-building.

The overall theme is of compassion, of standing up for what’s right, and true, of following the Master. And of standing with Puddleglum.

I really can’t do it justice in a review. I shall probably keep thinking about parts of this book for weeks to come. Definitely recommended if you like this author, or if you're interested in some thoughtful, encouraging Christian fiction.

PS when I checked the link (above) for Adrian Plass's website, I was delighted to read that he's working on a sequel to this book.

Review by copyright 2018 Sue's Book Reviews


After the Funeral (by Agatha Christie)

We have quite a large collection of crime fiction novels by Agatha Christie. Some belonged to my older son when he lived at home, but he left them here, as he could easily find replacements inexpensively in UK charity shops. Crime fiction isn’t my favourite genre, but I quite like the occasional foray into Christie’s works - they’re usually non-gory, with crimes committed off-page, and the focus on the solution of some complex puzzles.

‘After the Funeral’ is a book I hadn’t previously read, so I picked it up a week or so back, feeling like a change from modern women’s fiction. As with all this author’s books, it’s set in the middle of the 20th century. As with many, it features an upper middle class family whom we meet as they gather after the funeral of the family head, Richard Abernethie.

Richard’s younger sister Cora is known to be outspoken, and not considered particularly intelligent. Yet she has a certain astuteness that her contemporaries take seriously, although the younger generation write her off as weird. So when Cora makes a passing comment about her brother having been murdered, nobody believes her… and yet a seed is planted in their minds.

Everyone goes home, after the reading of a not particularly inspiring will, and the book follows several of them as they return to their daily lives. The younger generation include a lawyer, an actor and his wife, and a potential businesswoman who is married to rather a weird young man.

Then another dramatic and unexpected event happens, which brings to mind Cora’s comments, and is the catalyst for an ongoing investigation. The family lawyer - who was an old friend of Richard Abernethie - eventually calls in Hercule Poirot…

Agatha Christie isn’t known for her characterisation, but she creates a believable selection of people in this novel, any of whom could potentially have committed either or both of the crimes. Her skill was always in the gentle trail of red herrings and clues, leading the reader to being quite certain that the wrong person was the perpetrator. She does that brilliantly in this book. At some point in the story, I was almost certain that each of the main characters must be guilty… all except for the one who is eventually revealed.

There’s no cheating in Christie’s books. All the evidence is there to see, if only I had added everything up correctly. When Poirot makes his denouement in the final chapters, I was nodding and agreeing that this is, in fact, the only satisfactory solution.

The book is quite long, with a tad too much detail and rambling conversation for my tastes. Yet it’s in the details that the clues are planted, and the crime, eventually, solved. This one was particularly well plotted, in my opinion, and I’d recommend it to anyone who likes this kind of mid-century light crime novel,

First published in 1953, 'After the Funeral' has been almost continually in print in many versions. It can also be found fairly easily in second-hand and charity shops.

Review by copyright 2018 Sue's Book Reviews